海上丝语:陈庆庆个展
艺术家 | 陈庆庆
出品人 | 王赫
策划 | Kenna、陈然
展览统筹 | 陈然
展览助理 | 黄丽霞
艺术总监 | 京奇
开幕式 | 2018年5月26日16:30
公众展期 | 2018年5月26日－2018年9月10日
主办方 | 三亚当代艺术馆
地址 | 三亚·海棠湾·艺海棠
（林旺大道和海岸大道交叉口西北侧）
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前言
陈庆庆是九十年代中期女性主义艺术高潮中的代表人物，她的作品以装置为主，却又涉猎到绘画、陶瓷、雕塑、甚至行为艺术，而不同于其他人的是，她的作品中，既有受过西方文化熏陶的独立的女性主义视角，又有她与生俱来的深入骨髓的东方文化的智慧、宽容与厚重，她说：一件作品，应该带着艺术家自己的体温，不是市场的铜臭！
最初使她声誉鹊起的丝麻编织的衣服，使陈庆庆成为在九十年代中后期对艺术语言的前卫性实验的少数实践者之一。
她的丝麻编制的衣服在纺织纤维的语言前卫性上具有杰出的开拓性，蔴材料的表达，既有强烈的东方色彩，又极具女性特质，丝丝缠绵、感性、柔蜜，朦胧中带着东方女性的坚韧。但是它们绝不仅仅是一个简单意义上的自然材料制作的女红作品。艺术家正是用这些有着各个朝代服饰符号特征的《蔴衣》作品，传达出了自己对民族历史文化的深情的追思和浓重的人文情结，我有时甚至觉得，好像庆庆是在用自己的艺术方式与我们的祖先对话，又试图破天荒的把我们的现代人文信息传达给我们的先人。
可贵的是，艺术家并不满足于她在蔴衣作品方面的成就，她的行为艺术语言的实验性， 也同样是在尖利的批判中向往着无限的美好。
庆庆的现成品装置是纯粹的，乍看起来，她取用了人们日常生活中一切可能的材料，从一个小树枝，一块小木片，到年轻时用过的耳环，旧笔记本，晾衣夹…...金木水火土，皆有可能，艺术家就像有着点石成金的巫术，用这些生活中最不起眼的日常元素，讲述着她的故事，她的爱情，她的生命，甚至从女人角度对历史，死亡和未来的思考，都在她的装置中娓娓道来…...
高度的语言实验性，智慧和鬼魅的语言风格，使她的装置的“微景观”具有的神秘主义视觉在中国当代艺术中也是少见的，她让现成品装置，这种本来是西方人的艺术方式，却在讲述着东方人的故事，而它们所表达的不仅是一个艺术家个人的思想历程，它们就像是一些可以解读历史的人文景观，历历在目的讲述着我们这个时代的故事。
——京奇
部分作品赏析
巫山Wu Mountain | 260x200x160cm | 混合材料装置Mixed material Installation | 2013
混沌初开At the Dawn of Civilization | 80x100x8cm | 数码灯光装置Digital Light Installation | 2006
乐翻天The endless Happyness | 166x27x8cm | 数码灯光装置Digital Light Installation | 2010
听妈妈讲…... Listen to my mom... | 54x64x37cm | 混合材料灯光装置 Mixed material Light Installation | 2015
佛语 Buddhist term | 57x27x10cm | 木本小装置 Woody small Installation | 2017
读书 Reading | 66x59x14cm | 混合材料装置 Mixed material Installation | 2015
同床异梦 Strange bedfellows | 252x151x12cm | 自然材料纤维装置 Natural material fiber Installation | 2015
蔴碗 Jute bowl | 直径59cm Diameter 59cm | 自然材料纤维作品 Natural fiber material | 2016
优 Actress | 180x132x7.5cm | 自然材料纤维作品 Natural fiber material | 2008
谷雨时节 Grain rain season | 167.5x55x7.5cm | 自然材料纤维作品 Natural fiber material | 2017
花无言 Flower without words | 137x80x7.5cm | 自然材料纤维作品 Natural fiber material | 2007
旗袍 Cheongsam | 186x69x7.5cm | 自然材料纤维作品 Natural fiber material | 2016
关于艺术家
陈庆庆，独立艺术家，现工作、生活在北京宋庄艺术区。
个展经历
2018 《海上丝语》，三亚当代艺术馆
2016在北京的中国宋庄艺术区原庆庆工作室创建《妙幻博物馆》
2015 《奇幻博物馆》庆庆装置二十二年，北京元典美术馆
2012 《庆庆装置艺术回顾展》，北京今日美术馆
2009 《南柯一梦，庆庆装置作品展》，北京龙德轩艺术中心
2008 《庆庆寓言》，少励画廊，香港
2005 《798的海市蜃楼，庆庆装置作品展》，北京大山子艺术区，大窑炉展场
2004 《庆庆装置作品展》，东京画廊，日本东京
2003 《庆庆装置艺术展》， 北京今日美术馆
2002 《庆庆回来了》，庆庆新作品展，北京红门画廊
2000 《庆庆综合材料作品展》，中国当代画廊，英国伦敦
1999 《流动的灵魂——庆庆装置艺术展》，AAI-Gallery . Karl Strobe画廊，奥地利，维也纳
获奖
纤维作品曾于1998获奥地利《 维也纳森林纺织艺术节》二等奖。
作品《拷贝出土文物——汉》于2016被中国批评家年会评为《中国装置艺术三十年最具影响力作品三十件》之一。
作品被中国美术馆，北京今日美术馆，元典美术馆，纽约新美术馆，巴黎国家自然历史博物馆以及中外各国及港台，日本和东南亚地区收藏家及多处收藏机构收藏。
Silky Whisper on the Sea
Chen Qingqing Solo Exhibition
Artist | Chen Qingqing
Producer | Wang He
Curator | Kenna、Chen Ran
Exhibition co-ordinator | Chen Ran
Exhibition assistant | Richelle
Art director | Jing Qi
Opening ceremony | 2018.5.26 16:30
Public exhibition | 2018.5.26-2018.9.10
Organizer | Sanya Museum of Contemporary Art
Address | Yihaitang, Haitang Bay, Sanya
(The northwest side of Linwang road and Haian road intersection)
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Preface
Chen Qingqing is a representative figure in the climax of feminist art in the mid-1990s. Most of her works are installations. There are also paintings, pottery, sculptures and even performance art. What makes her standing out is that Chen Qingqing possesses the independent feminist perspective as a result of the influence of Western culture, and at the same time the Oriental wisdom, tolerance and dignity that is innate in her. To quote the artist's own words: an artwork should carry the warmth of the artist, not the stink of the money from the market!
Chen earned her name with the series of linen-braided garments. She was one of the few practitioners of avant-garde experiments on art language in the middle and late 1990s.
The linen garment series blazed new trail in the avant-garde experimental language of textile fibers. The hemp as a fiber textile conveys both strong Oriental characteristics and allegory to femininity. It is lingering, sensual and soft, implicit yet tenacious, just like the Oriental females. These garments are far more than simple needlework out of natural materials. They bear the apparel styles of various dynasties in China. The artist conveys through such arrangement her deep feeling for the national history and culture and a strong humanistic complex. Sometimes I even feel as if Qingqing is conversing with our ancestors through her art. She not only listens but also tries to communicate our modern humanistic messages to our ancestors.
What is more valuable is that Chen Qingqing is not content with her success with the garment series. The experimentality of her performance art language, though taking the form of harsh criticism, is also aspiring to the infinite beauty.
The installations with ready-made objects are very pure. At the first glance we see all kinds of objects in everyday life: a small twig, a piece of wood chip, earrings from the youth, old notebooks, clothes pins and so on. All elements in nature and life seem acceptable. The artist is like a Wizard that is turning ordinary objects into gems. These jewels tell stories about her love, her life and even her thoughts on history, death and the future from the perspective of a female. All of these stories are told in her installations...
Her language is highly experimental. Her wisdom and the spiritual language styles give the “micro landscape” of her installations a mystic visual presentation which is rare in Chinese contemporary art. She uses ready-made objects to create her installations, borrowing a type of Western art to tell the story of people from the East. What these works are conveying is not only the personal spiritual journey of an artist. They are like some humanistic landscapes that serve as illustrations of history, vividly telling the stories of our times.
Jing Qi
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About Artist
Chen Qingqing is a independent artist. She is working and living in the Beijing Songzhuang Art District.
Solo Exhibition
2018 “Silky Whisper on the Sea”, Sanya Museum of Contemporary Art, Sanya, China
2016 Establish “ Fantasy Museum ” in China Songzhong Art District, Beijing, China
2015 Fantasy Museum, Qingqing’s Installation 22year, Yuan Art Museum
2012 Retrospective Exhibition of Qingqing’s Installation Art, Today Art Museum, Beijing, China
2009 “Dream of fifteen Years” Installation Art by Chen Qingqing, LDX Art Center of Beijing, Beijing, China
2008 “Qingqing Enchanted Paradise” Schoeni Gallery, Hong Kong
2005 “Mirage of 798 — Secret Light” Qingqing’s Installation Exhibition, 798 dayaolu, Beijing, China
2004 Qingqing’s Installation Exhibition, Tokyo Gallery, Japan
2003 Qingqing’s Installation Exhibition, Today Art Museum,Beijing, China
2002 “Qingqing is back!”Qingqing’s new work Exhibition, Red Gate Gallery, Beijing, China
2000 Qingqing’s Mix-media Works Exhibition, China Contemporary Gallery, London, U.K.
1999 The Normadic Soul — Qingqing Instllation Artworks Exhibition, AAI-Gallery, Karl Strobe Gallery, Vienna
Award
Fiber works were awarded the two prize of the Vienna forest textile art festival in Austria in 1998.
The "copy of unearthed cultural relics - Han" was appraised in 2016 by the Annual Meeting of Chinese Critics as one of the thirty most influential works in the thirty years of installation art in China.
Works being collected by China National Museum, Beijing Today Art Museum，Yuan Art Museum, New York New Museum and Museum National D’Histoire Naturelle Musee DE L’HOMME in Palais and many Art collectors in the world collection, and have been exhibition in international Art Fairs held by different Countries.
关于三亚当代艺术馆
建筑设计:妹岛和世与西泽立卫建筑事务所（SANAA）
三亚当代艺术馆将定位为一个有特色的国际化艺术馆，一个与自然环境相融的“会呼吸的美术馆”，由普利兹克建筑奖获得者，国际著名建筑师妹岛和世与西泽立卫设计创作，将三亚的自然景观、建筑与当代艺术相融合，为人们带来颠覆性的全息化视觉体验。三亚当代艺术馆是艺术综合体项目中的龙头项目，三亚当代艺术馆将被重点打造成为一个国家级标准、国际化影响的当代艺术馆，将成为有特色有影响的全方位、多层次、宽领域的文化开放合作交流平台，为三亚市民和旅游者提供丰富多层次多样化的审美教育、观赏艺术、放松休闲的重要场所，举办重大国际性活动的公共艺术空间。同时，三亚当代艺术馆把传统人文与现代精神融为一体，成为人与人、人与自然、人与社会和谐发展的多元化精神空间。
About Sanya Museum of Contemporary Art
Sanya Contemporary Art Museum is defined to be a special internationalized art museum, a museum which can “breath” and which is in harmony with natural environment. This museum is designed by Pritzker Architecture Winner, international well-known architect Kazuyo Sejima and Ryue Nishizawa, and combines the natural scenery and architecture and contemporary art, giving people kind of over turning holographic visual experience. Sanya Contemporary Art Museum is the leading one among the art complex program. It is expected to be made into a national and international contemporary art museum, to be a comprehensive, multiple, and wide-rangedcultural opening cooperation communication platform, and to be a place to provide Sanya citizens and tourists rich, multiple place for aesthetic education, art appreciation, relaxation, and a place to hold important international public space. At the same time, Sanya Contemporary Art Museum combines together the traditional humanity and modern spirit and becomes adiversified spirit space for the harmonious development of people and people, people and nature, people and society.
艺海棠艺术综合体，落址于三亚“国家海岸”海棠湾，近邻301医院等高端配套。项目总建面约50万㎡，涵盖三亚当代艺术馆、艺术家工作室、艺术美宅、艺术酒店及艺术商业等丰富业态，是中国具有国际前沿特色的艺术综合体。
艺海棠携手“普利兹克”奖得主——妹岛和世与西泽立卫，依托三亚的阳光、空气、青山、绿树、碧海、蓝天、翠草，将建筑融合艺术生活，创作出一座“会呼吸的艺术馆”——三亚当代艺术馆。
同时，艺海棠的业主们将尊享艺术综合体内的艺术商业、艺术主题酒店、艺术运动公园等生活配套，并可以成为三亚当代艺术馆的会员，参加艺术公共教育课程，拥享VIP馆长导览等一系列业主特权。
约95-600㎡艺术美宅
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